Past and Present, No. 2

Past and Present, No. 2 by Augustus Leopold Egg

Augustus Leopold Egg, 1858

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About this artwork

This is the “Past and Present, No. 2” by Augustus Leopold Egg, painted in 1858. It sits in the centre of a small triptych that Egg used to expose the harsh social rules of Victorian Britain. In this scene, a wife kneels before her husband, begging for forgiveness. He holds a letter that reveals her affair, and he presses a portrait miniature of her lover onto the page with a stamp – a dramatic gesture that tells the whole story at a glance. Behind them, their two children watch in a mixture of shock and pity. The room is cluttered with symbolic objects – a half‑sliced apple on the table, a mirror reflecting the tense atmosphere, and a small, worn pillow – all hinting at the family’s impending downfall.

Egg’s brushwork is meticulous and his use of light sharp, drawing the eye to the couple’s strained faces while the muted background suggests a quiet domestic interior. The painting is a moralist statement: a man could take a mistress without consequence, but a woman’s infidelity was a crime, a theme Egg never shied away from. The artwork invites us to consider the weight of Victorian expectations on the personal, and how a single secret can unravel an entire household.

See it in person

Past and Present, No. 2 is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.

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