This is "Little Devil" by Frida Orupabo. It was created in 2022 as a large collage using photographs, inkjet prints, and metal pins. Orupabo scoured online sources for images—doll‑clothing shots from eBay, a film still from Elliott Erwitt, and an anonymous Black face—then cut them out and assembled them on a plain white background. The result looks like a paper doll with moving parts, the girl’s torso pinned to a black, wing‑topped creature hovering over her shoulder, clutching a scroll. That creature draws on medieval depictions of demons, while the girl’s face fuses a white actress with a Black woman, echoing the artist’s own Christian upbringing and the isolation she felt as a Black person in Norway. The work comments on how gender, beauty, and morality are constructed, and it invites viewers to consider how the white gaze shapes identity. It’s a striking example of digital collage turned physical, built from found images to challenge our assumptions.
Little Devil is in the collection of Tate Modern on Bankside, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.