This is the "Jochebed with Moses and Miriam" by Sir William Blake Richmond, painted around 1865. In this oil on canvas, Richmond shows the Jamaican model Fanny Eaton with two of her children, a touching mother‑and‑child moment that also carries a deeper message. The mid‑19th century in Britain saw growing public interest in the abolition of slavery and the American Civil War. Richmond uses the scene to highlight that story: Eaton’s mother was born into slavery in Jamaica, and she brought her daughter to London where she became a sought‑after model known for intense, expressive poses.
The composition is intimate – the mother cradles her little ones, their faces turned toward each other in a quiet exchange of affection. Richmond’s brushwork captures the warmth and solemnity of the moment. The painting also hints at the larger social commentary of the era: Britain’s sympathy for the North’s anti‑slavery stance. It’s a subtle reminder that art can reflect contemporary politics while celebrating ordinary human moments. The work was presented by the artist’s descendants in 1995, adding a personal touch to its historical narrative.
Jochebed with Moses and Miriam is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.