This is the “Garden” by Paule Vézelay, created in 1935. It’s a small plaster sculpture made of white biomorphic forms that sit on top of each other. The lower shape echoes the central form from Vézelay’s earlier painting *White Shapes in Movement* (1930), while the upper one is hollowed out. Inside the cavity you can find sand, plants or seashells; outside the lower body may carry shells, starfish and pebbles arranged on its surface—an intentional play of found objects.
The piece was first exhibited under the title *Jardinière* in 1937 at Galerie Jeanne Bucher, a term for an ornamental container that would hold plants. In Vézelay’s own catalogue she described it as “Table ‘garden’ with sand,” hinting at its domestic informality.
“Garden” sits within a small group of her 1935 plaster works that extend her exploration of form into three dimensions. It has shown in several exhibitions: the 2017 Tate Britain show *Paule Vézelay*, and later at Tate Liverpool (2022–2023). Its use of natural objects makes it reminiscent of surrealist sculpture, echoing Eileen Agar’s *Marine Object*.
The work is made from plaster, paint, sand and shells, and measures about 75 × 595 × 420 mm. It reminds us that abstract forms can also invite tactile interaction through the natural materials they contain.
Garden is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.