This is the "Portrait of an Unknown Lady" by Marcus Gheeraerts II, painted around 1595. It is an oil on wood panel that captures a pregnant woman in the final stages of her pregnancy, a subject that was surprisingly common in England from the 1560s to about 1630 but is rarely seen in surviving portraits. Gheeraerts, a Flemish‑born artist who made his career in England, was famous for portraiture of the Tudor and Stuart courts; his most celebrated work is the “Ditchley” portrait of Queen Elizabeth I. In this painting the sitter smiles – an unusual choice for the time, when most portraits show a neutral, dignified expression – perhaps to celebrate her role as a bearer of heirs to an elite family.
Her clothing is richly detailed and heavily embroidered with pearls, which at the time symbolised moral purity and monogamy – virtues that were prized in a wife. The pearls also suggest that she belonged to a wealthy, high‑status family. We do not know her name, but the portrait’s lavish attire and the sitter’s confident posture indicate her importance within her social circle. The work is a fascinating glimpse into the cultural expectations surrounding pregnancy, motherhood and purity in late‑sixteenth‑century England.
Portrait of an Unknown Lady is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.