**George Romney’s relationship to Emma Hamilton (Lady Hamilton) in the painting “Emma Hart as Circe”** - **Artist‑subject pair** – Romney was the portrait‑painter, Emma Hart was the sitter and model. - **Intimate working relationship** – She sat for him during several sittings in the early 1780s, and Romney painted her in a series of studies and finished portraits. - **Unfinished “study”** – The canvas in Tate Britain is regarded as a study (or an early version) for the later full‑length “Emma Hart as Circe,” indicating a close, collaborative artistic process. - **Social connection** – Both were members of the fashionable London circle; Romney’s portrait of her, and her subsequent fame as Lady Hamilton, were part of the same social network that promoted their reputations.
In short, the painting reflects a direct artist‑subject relationship in which George Romney painted Emma Hart as a portrait model, producing an unfinished study that became an iconic representation of their artistic collaboration.
Emma Hart as Circe is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.