This is the “Cityscape (Night)” by Lancelot Ribeiro. Painted in 1963, it’s an oil on hardboard that immediately pulls you into a midnight sky stretched across the canvas. The darkness is broken by scattered white and yellow stars that give a sense of vast, quiet space. Below that, Ribeiro stacks geometric shapes—towers that tilt at odd angles—creating a cityscape that feels more like a memory than a specific place.
Ribeiro explained that these landscapes aren’t literal depictions but a “collective experience.” He drew early inspiration from the churches and statuary of Goa’s Catholic heritage, blending that ritual feel with abstract forms. His brother, Francis Newton Souza, also shaped his vision, and the two worked closely in London during the 1960s. “Cityscape (Night)” was one of eight of his landscape works showcased in the 1964 exhibition *Six Indian Painters* at India House, a key moment for South‑Asian artists in Britain.
The texture of the building silhouettes is achieved with a palette knife, scraping back layers to reveal rough, tactile surfaces that echo the rugged streets of an imagined town. It’s a striking example of how Ribeiro merged Eastern motifs with Western modernist techniques, making the night feel alive and echoing the cultural cross‑currents of his time.
Cityscape (Night) is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.