This is “Alternative Cabaret Group, Birmingham” by Chris Steele‑Perkins. It belongs to his series *The Pleasure Principle*, a set of forty‑four colour Cibachrome photographs created between 1980 and 1989. In this print the camera captures one of those lively public rituals that the artist was keen to document – the kind of performance scene where music, dance and community intersect.
The image is a colour photograph processed with dye destruction on paper. The technique removes certain colours from the original negative, leaving a striking contrast between vivid reds and greens and more subdued tones; the result feels both alive and slightly other‑worldly. On the paper it measures about 280 × 382 mm, an intimate format that lets us see details up close.
The scene shows a group of performers – a cabaret troupe in Birmingham – against a backdrop that hints at stage lights and a simple set design. The composition gives a sense of immediacy: the performers’ expressions, their movement across the frame, all suggest a spontaneous performance rather than a staged tableau.
In the wider context of *The Pleasure Principle*, this print is one of many that record leisure activities across Britain in the 1980s – from sport to countryside hobbies, even a portrait of Prime Minister Margaret Thatcher. The artist used these images as a way of “re‑orientating himself” after working abroad; he wanted to capture public rituals where identity and belief are communicated through enjoyment.
Alternative Cabaret Group, Birmingham is in the collection of Tate Britain on Millbank, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.