This is “The Crucifixion with Donors” by Ugolino di Nerio. Painted between 1317 and 1327, this tempera on panel is a tiny window into a much larger world. Ugolino was a leading figure in Siena and Florence during the early 14th century, and he often received commissions for church altarpieces. This panel was almost certainly part of a larger altarpiece – a predella, those lower panels that supported the main scene. The composition shows Christ on the cross at the center, but the real intrigue lies in the foreground: a kneeling Carmelite friar in a white cloak, a woman, and a young boy. Their poses and garments suggest they were the donors who funded the altarpiece, a common practice at the time to show piety and patronage. The delicate tempera technique gives the figures a luminous quality, while the overall layout reflects the early Gothic style that Ugolino was known for. It’s a fascinating glimpse of medieval devotional art, where donors and saints coexist on a single panel, telling a story of faith, charity, and artistic skill.
The Crucifixion with Donors hangs in The Courtauld Gallery at Somerset House, London. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.