This is the “Beautiful Island” by Danica Dakic. It’s a single‑channel video projection that plays in a dim, sound‑sealed room with a grey carpet. Outside, you’ll see props from the film—props that the forty young residents of a Bosnian care home actually used—and three posters that shout the title against a backdrop of blue sky and palm trees. The film runs a little over nineteen minutes and was shot at the Home for the Protection of Children and Youth in Pazaric, near Sarajevo.
The performance is unscripted: the residents themselves act, speak, dance, and improvise, all while wearing ordinary clothes and paper Victorian‑style masks. The set is a historic wallpaper that shows a “beautiful island,” hinting at a past untouched by the Balkan wars. The piece blends real stories of disability and mental health with the residents’ own fantasies—like dreaming of becoming a UN legal expert—creating a utopian, almost dream‑like narrative that blurs reality and imagination. It’s a powerful example of Dakic’s participatory approach, turning marginalized voices into the very fabric of the artwork.
ISOLA BELLA is in the collection of Tate Modern on Bankside, London — free to enter. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.