This is the *God the Father in an Attitude of Benediction* by Biagio d’Antonio. The work dates to around 1480 and is executed in tempera on a wooden panel, a medium that allowed the artist to render delicate light and fine detail with a luminous finish.
Biagio d’Antonio, a Florentine painter active in the late 15th century, was known for his ability to blend the softer, naturalistic tendencies of the Florentine school with the robust, expressive style that was emerging in the Renaissance. Here we see the typical balanced composition: a central, solemn figure of God, with the right hand raised in benediction, surrounded by an airy background that hints at a celestial realm. The colors are restrained but rich—deep blues for the robes, ochre for the flesh, and subtle gold leaf accents that catch the light as you move around the panel.
Notice how the artist uses tempera’s quick-drying qualities to layer translucent glazes, giving the skin a subtle, almost ethereal translucency. The gestures are calm yet commanding, reflecting the theological emphasis on divine mercy and authority. Overall, this panel is a concise yet powerful representation of divine grace, typical of the period’s devotional art, and it exemplifies Biagio d’Antonio’s skill in conveying spiritual presence through disciplined brushwork and thoughtful composition.
God the Father in an Attitude of Benediction hangs in The Courtauld Gallery at Somerset House, London. Point your phone at any artwork there and audioguide.london plays a free audio guide in six languages — no app download needed.